It was great fun getting back to this technique of creating a painting from poured/squirted acrylic paints by just developing what one 'saw' after dragging the colours together. I'm looking forward to number two now.
Tuesday, 29 December 2009
MEETING AT THE MAGIC POND - ACRYLIC FIGURES
Saturday, 19 December 2009
CHRISTMAS GREETINGS
It went a bit darker than I really wanted underneath the cross on the left, so
stuck on a cut out bauble from Christmas wrapping paper. 'Cheat, cheat' I hear you say. So inspired me, I added the other two... plus the gold thread they are hanging from.
Sunday, 13 December 2009
MIXED MEDIA MAX
These are the colours I chose for all the pigments showing through Max's fur from pinky/purple skin, to raw sienna and soft grey/blue shadows , the blues/purples in the nose and greens and yellow background.
Seems I did not take photos at some of the more specific stages, particularly as I decided to add Liquitex liquid acrylic white fur marks and when dry go in and redefine the colours. Finally I scrubbed (yes really - brave of me don't you think?) all over with dry white watercolour pencil and in places pink or yellow watercolour pencil and darkened the collar. See sample close up at the top for better detail.
Sunday, 6 December 2009
LUXEMBOURG CITY FLOWER MARKET WATERCOLOUR
My first composition did not please me, as the cathedral with the lovely long spires was half hidden by the trees from the photo I first used. I also was not happy with the number of people I had sketched in ... so this first attempt was abandoned.
This next image shows where I re-drew the composition bringing the cathedral building and spires more to the right and a little larger. I was happier, as it meant the two paths between the trays of flowers lead not only to the back of that open delivery lorry but on and up to the spires.
Here is a close up showing the detail of the trays of flowers in progress and the improvement by leaving out the figures near the centre I had in the first composition. This final image is of the completed watercolour put behind a small double mount, so that it was protected but not too big to post.
I must have used at least 4 photos to arrive at the final composition and throughout there was decision making as to how much to leave out!!! - the usual bane of every artists - and the artistic licence of moving things about .
Only hope Karen does not decide to have a look at my blog before Christmas presents are opened!!
Monday, 30 November 2009
WEEKEND BY THE SEA PHOTOS
Tuesday, 24 November 2009
VILLAGE COTTAGE COMMISSION
here is the finished work
Thought you'd enjoy seeing how it progressed from initial stages, so some different images for you to look at
early blocking in stage
It was difficult to get the basic drawing down, as in real life half the house is hidden by a large tree in the flowerbed lane side of the driveway. Took me ages going back and forward to set the various windows in place, as the left hand third was, in fact, a separate cottage at one time and the windows are different shape and sizes to the rest. Even, you may notice, the roof line was slightly lower!! As for the three chimneys they all seemed different.
here is a close up of the left hand cottage showing the longer shaped windows and the left hand flower bed from plants back in the late summer.
Here is the porch area, with the delightful unusual coloured door.
and finally a bit of artistic licence where I have brought the brick post with the numbers of the two cottages forward from the entrance to the drive. I simply had to add the soft pink summer roses that grow in that righthand side flower bed beneath the lounge windows.
What you might spy in the finished image at the top is the added acrylic gel with glass beads to create the feeling of the pebble drive surface.
It was a long job but once drawn in I thoroughly enjoyed the painting from the brickwork to the flower beds, porch and even the windows!!
Thursday, 19 November 2009
IRRIGATING THE FIELDS IN NORFOLK
From the many photographs I have composed the following acrylic 32" x 12" box canvas.
This is the latest stage .......
still requiring some adjustments to the far end of righthand hedge to stop it looking like a hill rather than a large field going off into the distance. The field needs further work together with the addition of the long black water pipe, a collection of farm buildings on the horizon in the gap I have left in the trees. The pathway where the wheel stands needs a different angle as it comes across to the right hand corner, plus lots of interesting plant/weed detail .
Monday, 16 November 2009
LATEST ZENTANGLES IN ACRYLIC INKS
I had not lifted a brush in ages and then one evening felt 'deprived' so while Clive watched a movie on the TV, I brought down my zentangle sketchbook and doodled. Here are the results. Each one was coloured in later in my little upstairs study with smooth, vibrant Acrylic inks. All had been drawn with a size 0.5 Hi TecPoint black pen that was not waterproof, so had to be careful when adding the coloured inks.
Number One did not look much until I added the colour and being transluscent allowed the pen shading and designs to show through.
Tuesday, 10 November 2009
PEN AND INK WORKSHOP
cones, berries, leaves, clocks, boxes of jewellery, pearls,
elephant and lady china and cyclamen pot.
From their choices, it would seem my love of natural history has passed on to my members, as there were many china statues, broaches, boxes that were not chosen initially.
Thursday, 5 November 2009
VISITING FAMILY
This was one of the mum's dressed as a witch.